Wednesday, May 13, 2020

Dr. Seagraves An Elderly African American Woman - 982 Words

It was almost midnight when I got the call from Dr. Seagraves. She told me to meet her in the physicians lounge at 7 am: we had a case. The next morning began like any other in the operating room. We met with the patient, I received permission to observe and then got suited up for case. The patient was an elderly African American woman, she called me handsome and smiled comfortably. When we made it into the OR I was asked to help lift the patient from bed to table, with a subtle warning of â€Å"watch out, it’s gooey.† Dr. Seagraves parted the patient’s gown, exposing a mass of raw tissue that somewhat resembled a leg. The patient had suffered a week’s worth of necrotizing fasciitis, more commonly known as flesh eating bacteria. The wound had a certain odor, a putrid smell you do not forget. Our hearts sank in unison as we realized what we were up against. We had to act fast. Dr. Seagraves began scrubbing the wounded tissue as the Anaestesiologist monitor ed the patient’s progress. I had observed Dr. Seagraves on multiple occasions and never did she express concern for the outcome. For the first time in our relationship I heard her mutter, â€Å"This is not good. This is not good at all.† The bacteria spread fast, leaving the leg unsalvageable. The question on all of our minds was why the patient had waited so long to seek treatment. Surely she was in a lot of pain, and that odor... why wait? The answer was purely financial. Money deterred her from seeking treatment which caused aShow MoreRelatedThe Physician s Lounge At 7 Essay912 Words   |  4 PagesIt was almost midnight when I got the call from Dr. Seagraves. She told me to meet her in the physician’s lounge at 7 am; we had a case. The next morning began like any other in the operating room. We met with the patient, I received permission to observe and then got suited up for the case. The patient - who I will call Cheryl - was an elderly African American woman. She called me handsome and smiled comfortably. Dr. Seagraves pulled back the patient’s gown with a subtle warning of â€Å"watch out, it’s

Wednesday, May 6, 2020

Film Critique, Why Did I Get Married 2 Free Essays

Why Did I Get Married? Efrem Terrell ENG 225 Intro to Film Professor Nelly Aguilar April 22, 2012 Why Did I Get Married Released in 2007 by Lions Gate Entertainment Corporation, the film Why Did I Get Married? is a comedy and drama that was written, produced, and directed by screen and playwright, Tyler Perry. Depicting the trials and tribulations of marriage, Why Did I Get Married? Was a hit at the box office earning $55,862,886 worldwide (Perry, 2007). Along with several other films and stage productions written and directed by Tyler Perry, the success of Why Did I Get Married? ay be credited to Perry’s expertise in film directing, digital musical selections, and humorous dialogue, along with the film’s dramatic, yet therapeutic storyline on how to sustain a healthy marriage and maintain lifelong friendships. We will write a custom essay sample on Film Critique, Why Did I Get Married 2 or any similar topic only for you Order Now As the director of Why Did I Get Married? , Tyler Perry utilizes incongruous editing in order to establish a central theme for the movie by allowing the audience to get to know each character and establish a theatrical connection with them. As each main character is introduced, Perry jumps around in time displaying each character acting out dramatic and humorous scenes that revealed their true personalities, relationships with the other characters in the film, along with their roles in the movie. While most writers subtly introduce their characters to the audience, movie critics argue that this is an area in Perry’s writing that needs strengthening. According to freelance writer and movie critic, Eric D. Snider (2012), in the film Why Did I Get Married? Tyler Perry’s characters blatantly announce expository dialogue such as, â€Å"I am a Pediatrician,† â€Å"You have control issues,† and â€Å"You could lose about fifty pounds, then I might be somewhat attracted to you. † Movie critics believe that stronger writing would reveal this information without the characters declaring it (Snider, 2012). While directors carefully select the best scenes for their movies, they also spend a great deal of time selecting the best soundtrack. Digital musical selections graced the original soundtrack for the film, Why Did I Get Married?. RB ballads that referenced love, relationships, break-ups, and heart-ache drove the central them of the movie which focuses on the ups and downs of marriage and friendships. Each song from the soundtrack played throughout the movie, helping to tell the story of the film, and draw the audience in by shaping the characters with tempo, range, pitch, and melody. The cinematography for the film, Why Did I Get Married? was performed by Toyomichi Kurita (â€Å"Tyler Perry’s Why Did I Get Married, 2012). Kurita creates strong moods and feelings throughout the film with the use of camera shots, movement, and lighting. Scenes throughout the film are solid and clear creating a natural illusion of the set and atmosphere. The audience is able to relate to the emotions of the characters due to the imagery created by Kurita’s strong cinematography skills. Scenes throughout the film flowed seamlessly, displaying vibrant lighting, while establishing a strong connection between the audience and the film. Editing provided by Maysie Hoy appeared flawless throughout the film. There was strong cohesion among characters as they appeared to have all been filmed at the same place at the same time. The transitions between scenes throughout the film created a natural setting and a feeling as though the viewers were traveling along on the same journey with the characters as the moved from place to place (Perry, 2007). The storyline of the film Why Did I Get Married? centers around the day-to-day struggles of maintaining solid relationships, successful careers, and strong friendships. In order to resolve marital problems, four married couples, who are old college friends, attended an annual retreat in the cold, wintery mountains of Colorado. While the vacation was intended for married couples only, one of the wives decided to bring along an attractive and single female friend by the name of Trina. Throughout the week-long retreat, damaging secrets are revealed that puts each couple in the position to question their own marital relationships along with their friendships with the other couples. As bouts of infidelity come to light, it is also revealed that the single and seductive Miss Trina has been having an affair with the husband of the woman that referred to her as a friend and invited her to the retreat. The film explores the emotional distress that infidelity, lust, and love may weigh upon a marriage. Continuous battles with issues of commitment, betrayal, and forgiveness force each character in the film to evaluate their lives as individuals and as committed couples (Snider, 2007). Patricia (Janet Jackson) is a highly regarded and very famous psychiatrist. Her book about marriage has just won a very prestigious award. Still, a tragedy in her past has driven a wedge into her marriage to architect Gavin (Malik Yoba). Things aren’t much better with said pals; Angela (Tasha Smith) is a loudmouth drunk constantly denigrating her struggling husband Marcus (Michael Jai White). Diana (Sharon Leal) is a driven attorney. Having just made partner, she can’t find time for her young daughter, or depressed spouse (Perry). But the worst situation exists between Shelia (Jill Scott) and Mike (Richard T. Jones). He is constantly calling her fat. He’s also cheating on her with best friend Trina (Denis Boutte). When the group gets together for their annual vacation, everyone is on edge. Soon secrets will be revealed, leaving everyone wondering about the state of their relationship (Perry, 2007). The recurring theme that is raised in Tyler Perry’s film Why Did I Get Married? Is â€Å"Can These Marriages Survive? † The infidelity of two husbands leads to the discussion of the â€Å"80/20 Rule. † The rule simply implies that within a marriage, most people only receive eighty-percent of what they want and need from their partners, leading them to go outside of their relationship in an effort to find what they think they are missing. Usually, it’s not until the spouse has stepped out the relationship that they realize that now only twenty-percent of their needs are being met. At this point, they have left their eighty for their twenty, which is a significant downgrade. Watching a Tyler Perry movie is a strange and ecstatic experience, Perry’s desire for shenanigans, inanity and heightened emotions always makes for an entertaining evening, but his films are in a strange in-between space: between melodrama and traditional drama, between lternative cinema and Hollywood style, and between black authenticity and pure elitism. Through it all, what vexes film scholars especially critics, is how style, content, auteurism and culture clash and miss each other in Tyler Perry’s films. Still Perry is one of a handful of black filmmakers- including Antoine Fuqua, John Singleton, Spike Lee, and Lee Daniels, whom can all actually raise money for wide release films. Perry films are primarily ways to talk abo ut black progress and authenticity in a â€Å"post-racial† world, and they absorb all the baggage involved in that project. They are moral tales about maintaining traditional family structures (including, usually, men at the head), the importance of the church and elders, even at the exclusion of gays, and not always, though sometimes, of others: like loose and lost women, drug users etc (Snider, 2007). As of November 1, 2007, on the review Aggregator Rotten Tomatoes, 46% of the critics gave the film positive reviews, based on 33 reviews. On Metacritic, the film had an average score of 54 out of 100 based on 12 reviews. Paul Grenada said that while â€Å"there are times where the script seems stiff, it teaches without hammering, and you leave the movie feeling good about what you saw. † Giving the movie a B-, Entertainment Weekly said that Perry is of the â€Å"spell-everything-in-capital-letters and act-it-out-loudly schools,† but added that â€Å"one performance glistens—Jill Scott’s as the sad, heavyset Shelia, who locates the faith that’s the source of love. † Time magazine gave the film a B and called it the â€Å"usual artless mix of broad comedy, teary confessions and spiritual uplift. † In the opening weekend, the film grossed $21. million in 3,105 theaters in the United States and Canada, ranking #1 at the box office. In the second weekend, the film slipped to #2 in the box office charts, with a gross of $12. 1 million, bringing the 10-day total to over $38 million. In total, the film domestically grossed $55,862,886 (Gleiberman, 2007). The a wards and nominations that the Tyler Perry’s film â€Å"Why Did I Get Married† received were from the Image Awards, it was nominated for Outstanding Motion Picture, Jill Scott who played Shelia in the film was nominated for Outstanding Actress in a Motion Picture, Tyler Perry himself was nominated for Outstanding Supporting Actor in a Motion Picture, and then there’s Janet Jackson whom won the Image Award for Outstanding Supporting Actress in a Motion Picture. The issue of matrimony is not a new one to Tyler Perry, almost all of his efforts, both for the stage and screen, have focused on relationships growing, struggling, dissolving, or playing out their post-breakup end games. The decision to create a single overview on the subject seems unnecessary at best. Yet Perry is nothing if not knowledgeable, especially when it comes to his audience. He clearly understands that, even though he’s offering the same old stories, they can’t get enough of the way he tells them. For his film adaptation of the couple’s comedy why did I Get Married? He may have altered the very purpose of his otherwise amicable preaching. But at this point in Perry’s career his ability to sell movie tickets in spite of poor critical reception is no surprise, the actor, author, and filmmaker has gone from promoting his own plays to becoming a full-fledged brand, one that, although created outside of the Hollywood machine, is causing some industry people to take notice (Gleiberman 2007). The film is filled with tears, laughter, and shocking disappointments as friends are betrayed and relationships fall apart due to the foibles of marriage. Have you taken a good look at your marriage lately? Is your marriage what you thought it would be? Have you had to deal with issues of commitment or betrayal or forgiveness? Is there a time when you seriously considered whether or not to stay with your spouse? Over the years, have you had to figure out a way to maintain true love and a solid relationship even during difficult times? And during the rough patches, have you ever secretly asked yourself the question: â€Å"Why Did I Get married? † Why Did I Get Married is one of Tyler Perry’s greatest films yet; leaving some members of the audience filled with emotions as they wonder to themselves, â€Å"Why did I get married? †, while others question, â€Å"Should I stay married? † REFERENCES Gleiberman, Owen (October 26, 2007), â€Å"Tyler Perry’s Why Did I Get Married? † Retrieved from Entertainment Weekly (961):51 Snider, E. (2007). Why Did I Get Married?. Retrieved April 8, 2012, from http://www. ericdsnider. com/movies/why-did-i-get-married/ Tyler Perry’s Why Did I Get Married?. Box Office Mojo. Retrieved April 6, 2012, from http://boxofficemojo. com/movies/? id=whydidigetmarried. htm Tyler Perry’s Why Did I Get Married? : Plot Summary and Details. Moviefone. Retrieved April 6, 2012, from http://www. moviefone. com/movie/tyler-perrys-why-did-i-get-married/29300/synopsis How to cite Film Critique, Why Did I Get Married 2, Essay examples

Tuesday, May 5, 2020

Industrial Grinders Case free essay sample

G’s large quantity of steel rings are on hand and the substantial inventory of special steel for their manufacture. And this steel as inventory can’t be sold. I. G had manufactured industrial machines for sale in numerous countries for nearly 70 years. It means it has market to sale rings no matter whether it is steel or plastic ring. These rings could be supplied for their own machines too. In general the plants were allowed considerable leeway in administering their own affairs. Bridgeman has right to make market strategy in time. During slack periods, company has a policy of employing excess labor on various make-work projects rather than laying the men off. At that time, the salary is at about 70% of regular wages. Low labor cost will decrease the cost of production. There are a lot of steel rings on hand and can’t be sold. The total book value of these inventories exceeded ,000. We will write a custom essay sample on Industrial Grinders Case or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Large inventory means less liquid cash. Maybe it influences operation in the future. Now I. G only has steel rings and these rings have higher cost than plastic rings. Also the lives of steel rings are shorter than plastic rings. I. G’s competitor Henri Poulenc has already started selling plastic rings at the same price as steel rings. And if I. G makes plastic rings, it can start selling only after 4 months so by then Henri Poulenc will take over more market shares. The competitiveness of I. G is very weak now. The ring innovation is an opportunity for I. G, but also a kind of threat. When instead of steel rings, plastic ring I. G starts using it gives I. G a chance to reform. It could cut down the cost and improve the quality of rings. If I. G switches from steel rings to plastic rings successfully, it could expand business and get more profits because of low cost, so it’s an opportunity. However, the competitor had plastic rings in advance than I. G, so it’s threaten for I. G. Competitor could use this advantage to get more business. It maybe threat to I. G’s operation and profits. In the early 1970, Japanese manufacturers had successfully entered the field with low priced spare parts. Other companies also had appeared with low quality and lower price machines. The competition would become more intense. More competitors share one market, so each supplier needs to improve competitiveness. It’s a new challenge. After analyzing internal and external situation of I. G, we can say that I. G has strong operational capacity. However, the core problem is what to be done about the steel inventory. I. G should start developing plastic rings as soon as possible and start using those. Because the core of competition is production, even though steel ring still has its value now, the plastic ring will substitute for it sooner or later. The strong competitor of I. G is Henri Poulenc. It has already introduced plastic rings. Only if I. G produces plastic ring in time it can compete with Henri Poulenc and stop them from grasping more market share. In addition, plastic ring has lower cost and longer life than steel ring. The Table A shows the cost of 100 plastic rings is $66. 60, but 100 steel rings cost $263. 88. Obviously, if they sale at the same price, 100 plastic rings will get $197. 25 more profit than steel rings. However, Anders Ericsson, the development engineer, estimated that the plastic rings could be produced by mid-September, so before mid-September, I. G has to sell steel rings on hand. Fortunately, Henri Poulenc was said to be selling the plastic ring at about the same price as the I. G steel ring, so I. G wouldn’t get strong shock from Henri Poulenc. Of course, Henri Poulenc will get higher profit, but only analyzing from the price, I. G and Henri Poulenc are in the same position, so it depends on demanders’ preference which kind of rings they like. And I. G could sell the steel rings in different markets, which are not covered, by plastic rings of Henri Poulenc. It avoids direct conflict. Steel inventory is a big weakness of I. G, so it’s a good time to consume a large amount of steel. Assuming the sales continued at the current rate of 690 rings per week before mid-September, it would consume 19400 steel rings. During the slack time, I. G could ask labors to convert the steel inventory into rings to satisfy the supply amount before mid-September, because at that time, the labor cost will be about 70% of regular wages so that decreases the cost to produce steel rings. Those steel rings only need to satisfy the supply amounts for 4 months using, because after mid-September, plastic ring will be used instead of steel. If there are more steel rings converted than demanded, I. G will pay for labour cost from their pocket. It will waste resources, time and money. So nothing definite can be said about the steel inventory.